Here’s a nice 2 bars pattern on Dominant 7#11 chord, starting from the 3th of each chord.
As well, here, in order to practice it continuously along the Vths Cycle, there are shown two forms: the first descending, and the second let you ascend on the cycle by transposing by an octave a chord tone [...]

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Here’s a nice 1 bar pattern on Dominant 7 chord: In order to practice it continuously along the Vths Cycle, there are shown two forms: the first allows to ascend, and the second let you discend on the cycle.

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Once seen how to apply both hands voicings for each kind of chord , we can extend all those frames to the Major & Minor  Turn Around Progressions.
A first simple and very effective way which ti start with, is to aplly the drop 2 technique to the left hand voicing already  seen, and consists to [...]

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Among the styles of compin’ by using Voicings, the Quartal Voicings developped after the Bebop era with the birth of the Modal Jazz, and in this sense Bill Evans, Herbie Hancock, McCoy Tyner have been pioneers…   —> This post will explain the use of quartal intervals for developpins Voicings for a given chord, once shown [...]

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This post will explain how to developp Voicing using Both hand.
Once seen that base criteria for each king of chord we can as well apply all these to the Major and Minor Turn Around Progressions

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