All The Left Hand positions previously seen,  can be applied on a typical progression II - V - I,  allowing us to carry out little movements in the passage from a chord to the other. We select one of the two positions from which we want to leave and we play always such positions in [...]

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This kind of  Voicings, was developped after the bebop era meanwhile the birth of the Modal Jazz, expecially by Bill Evans, Herbie Hancock, McCoy Tyner and many others. The main feature about this kind of voicing is the use of a 4 th interval, giving a very modern sound to a such structured chord (i.e. quartal [...]

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Once seen how to apply both hands voicings for each kind of chord , we can extend all those frames to the Major & Minor  Turn Around Progressions.
A first simple and very effective way which ti start with, is to aplly the drop 2 technique to the left hand voicing already  seen, and consists to [...]

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Among the styles of compin’ by using Voicings, the Quartal Voicings developped after the Bebop era with the birth of the Modal Jazz, and in this sense Bill Evans, Herbie Hancock, McCoy Tyner have been pioneers…   —> This post will explain the use of quartal intervals for developpins Voicings for a given chord, once shown [...]

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This post will explain how to developp Voicing using Both hand.
Once seen that base criteria for each king of chord we can as well apply all these to the Major and Minor Turn Around Progressions

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