Once seen how to apply both hands voicings for each kind of chord , we can extend all those frames to the Major & Minor  Turn Around Progressions.
A first simple and very effective way which ti start with, is to aplly the drop 2 technique to the left hand voicing already  seen, and consists to [...]

continue reading.....

Among the styles of compin’ by using Voicings, the Quartal Voicings developped after the Bebop era with the birth of the Modal Jazz, and in this sense Bill Evans, Herbie Hancock, McCoy Tyner have been pioneers…   —> This post will explain the use of quartal intervals for developpins Voicings for a given chord, once shown [...]

continue reading.....

This post will explain how to developp Voicing using Both hand.
Once seen that base criteria for each king of chord we can as well apply all these to the Major and Minor Turn Around Progressions

continue reading.....

As shown, we count 2 basic positions (3rd or 7th to the low) for left hand voicings, to be used to espose a tune or to support a solo. The are only few exception (see below) for some kinds of chords.

In order to give a criteria easy to be applied for each Key, the [...]

continue reading.....

Once get used with the structures of the triads and quadriads, a Voicing is a chord, or more better a way  to express a specific chord, using the notes (voices) taken from the scale which the chord itself refers, with a disposition of the sounds away from the base position with the root (fundamental) to [...]

continue reading.....